Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

1/31/2016

Mastery

Drawing of a woman draped in a sheer fabric. Chalk on brown paper by James Whistler.

James McNeill Whistler, the guy who famously painted his mother, went back to the drawing board--literally--to create a masterpiece.

It seems that the already well-accomplished artist felt that his work on the human form was weak. So he went about practicing and perfecting his drawing by spending hours in the studio studying and reworking images on paper. He thought he didn't do enough work earlier. He crammed on the form of the body and the draping of fabric. He worked in chalk on brown paper or sketched in oil.

I was struck by the exhibit showing a piece of art that never was. (Well, it was, but then it was destroyed. But that's not my point.) There were many studies, many explorations, many versions of the work. All in preparation for the final canvas, which was itself reworked, painted, scraped and repainted. This went on for ten years, incomplete. His mom thought that “he had tried too hard to make it the perfection of art.”

Ten years working on a singular painting. While this wasn't his sole effort, it was an ongoing effort. Learning, working, improving, struggling, and doing it more.

This is someone acquiring mastery. It is a process that takes time. It is a process that requires sustained effort. It is a process that accesses multiple aspects of thinking and feeling.

I live in a world of immediacy, of instantaneous transfer of messages, some of which are programmed to disappear immediately. I am surrounded by people anxious to master, but in our anxiety and rush we move past the task that is completed, but far from mastered. We claim to respect and admire craft and virtuosity, yet adopt a DIY mentality, "I can do this." And then think that we DID attain a high level--but it was just cleverness.

It's the neighbor's house that they remodeled seven years ago. They can't sell it now. The work they did was good. It looked good. They were not proficient in laying floors and hanging cabinets and taping drywall. It was the first time they tiled a bathroom. Their work was more than sufficient. It was fine. But it took them much longer than the practitioners who had apprenticed and studied. It lacked the familiarity, judgement and awareness of the master. They were neophytes. It was their first rodeo. Their work did not stand the test of time.

Also, today I was reading a critique of the White House work on a cancer "moonshot." Dr. Vinay Prasad, a cancer researcher at Oregon Health and Science University, took the idea to task. After challenging the Ground Hog Day aspects (War on Cancer in the 70s anyone?) and efforts to push drugs out faster, accelerating new therapies and opening clinical trials (none of which are groundbreaking), he identified the deficiency with the moonshot approach. The fundamental problem he sees is that a surge of concentrated effort to cure cancer doesn't fit medical discovery. Science is a long process of experimentation, applying lessons and connecting dots across disciplines. It takes time. And mastery.

I'm wondering, what I am working on? What am I trying to master? What will I leave that will stand the test of time?

Damn, that museum trip has my mind working.

1/30/2016

I'm a Punk

huge and very impressive escalator in Copenhagen.

I went to the Freer Gallery to see the Sōtatsu exhibit today.

Here's my compressed 411 for you: Some 400 years ago in Japan, this guy, Sōtatsu, was an amazing artist and craftsman. He decorated papers and fans and told stories with ink and paint and foils. He did prints for poetry scrolls and made beautiful panels. He used the medium like nobody else and influenced eastern art. All the credit went to his collaborators and students. He disappeared for centuries.

My point isn't about his struggles. He did okay for himself. My point is that he was a master. He was able to accomplish masterpieces because he worked on his craft. He was great and memorable for hundreds of years because he worked to learn. He experimented, refined and improved his art.

So here I am tonight, slogging and slurring through post number 30.  I'm writing because I am faux-working at my craft. Really, though, I'm just a punk. I'm writing without the care and effort and path to improvement of Sōtatsu and his disciples. I'm just putting a notch in the gun.  X'ing today on the calendar. Did it. Done!

I still believe that forcing myself to write every day makes me a better writer. At least it makes me faster. But to really be better, I need to focus on making my actual work better. I've been publishing and moving on, when I would learn more by going back, editing refining and reflecting, and maybe throwing some away.

This is a raw idea and I promise (myself) that I will return to this tomorrow. I need to get on an escalator to improvement rather than the moving walkway that drives me across the same level.

Thank you Sōtatsu for tweaking this punk.

Inspiration.






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